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"The kid drops his bucket and spade/And climbs into the sun," he murmurs before the track’s steady bassline suddenly glitches, as if the needle of a turntable has hit a bad groove, and Cave begins to keen in falsetto. It is a privilege to spend a half hour in the singular slice of South Florida that Curry paints in his forthright verses. LEGACY! And on the exquisite centerpiece “cellophane,” she is as exposed, fallen, and overwhelmed as the album’s namesake. Pitchfork's 50 Best Albums of 2020 50. “U (Man Like)” is a piano ballad that urges men to do better. As befits an artist obsessed with being a superhero, Burna Boy’s music is thoroughly posthuman: much of its succulence comes from how the singer’s lilting cadences mesh with Auto-Tune. The whole thing is recorded grittily—a garage band’s lo-fi aesthetic applied to hip-hop. –Jenn Pelly, If 2018’s soul-affirming Safe in the Hands of Love established Yves Tumor as a preeminent experimentalist, then the pleasure-seeking and approachable Heaven to a Tortured Mind is the sound of them strutting into the role of a rock god. Pitchfork 50 Best Shoegaze Albums [COMPLETED]. Pitchfork: 50 Best Albums of 2016. “Oh, emptiness/Tell me about your nature,” she sings on “zombie girl.” While songs mostly consists of Lenker’s silvery vocals and brambled acoustic guitar, and instrumentals turns toward fingerpicked meditations and wind-chime drones, both sound like nothing so much as the rustic abode that Lenker has likened to “the inside of an acoustic guitar.” These records put you right inside that hollow. On her fourth album as Weyes Blood, L.A. singer-songwriter Natalie Mering coos laughably old-fashioned lines like “treat me right, I’m still a good man’s daughter” while referencing the cosmic loneliness of modern dating. –Michelle Kim, In February, electronic experimentalist Arca dropped @@@@@, a 62-minute song framed as a pirate-radio broadcast from a post-singularity future that begins with whispers of a “diva constructed.” KiCk i, released four months later, is the Barcelona-based musician’s more straightforward take on diva-hood. When a slightly unfinished version of Jay Electronica’s Act II appeared this October, it had been a little over a decade after its initial slated release, and most fans had given up hope on it ever actually coming out. Never before has eating cereal sounded like such a riot. This Is How You Smile effortlessly illustrates the kind of quiet rage that has come to feel increasingly common in our current reality; for that reason, it might be the finest political record of the year. Inner Song is club music at its most spiritual. We’re left to sit alone and imagine what these songs should be doing. On “The Greatest,” she takes a widescreen look at our planet, sighing into the void as climate change brings about a hellish endless summer. Hadreas sings about misery and disconnection, about feeling unrecognizable to himself, about shepherding an inexperienced lover through his first gay encounter and picking his pockets afterwards. Best New Albums. The 50 Best Albums of 2020. [see also 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011 ] Frank Ocean — Blond. The final addendum came in June: the protest anthem “The Bigger Picture” is a jarring inclusion on an album that isn’t overtly political—and that also makes it perfect. The lyrics are elliptical yet striking, so successful at filling you with what feels like an ancient longing that it sometimes feels like you’re discovering a new language entirely. Are you hearing these songs, or spying on them? She turns liquid on the synth-sheathed “Time,” raps on the chaotic “Riquiquí,” and glitches with her voice pitched high on “Rip the Slit.” Presented as the first of four eventual albums, KiCk i shares all the promise of becoming, in both its pain and its joy. Create your own list of music and share it with the world. He’s frank about the violence plaguing his beloved home; frank about the murder of his brother, Treon Johnson, who was Tasered to death by police in 2014. –Quinn Moreland, Fifteen years ago, on the title track to Extraordinary Machine, Fiona Apple declared, “I still only travel by foot, and by foot, it’s a slow climb.” She worked her way up to the clear heights of Fetch the Bolt Cutters over the course of the last half-decade or so, largely at her L.A. home alongside trusted bandmates and friends and a small shelter’s worth of barking dogs. November 8, 2019. ), Listening to Mary Lattimore’s Silver Ladders feels like blinking awake on New Year’s Day: There’s some melancholy over what has passed mixed with buzzing wonder at what lies ahead.

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